upcoming a discussion of how the individual image gets lost in the processed whirl of the Mass Image, and reflections on what data visualisation means for photography
Sunday, January 29, 2017
Sunday, November 6, 2016
in which consciously manipulated statistics, invented figures and downright untruth circulate unchecked on a par with evidence.
- in the first instance, to establish a standard of truth adequate to public discourse, but rather more
- to investigate the terms of a polity in which the pretence to evidence-based policy is constantly undercut by the triumph of dogma over experience or evidence and the willingness to force constructed 'evidence' to serve argument rather than vice versa.
- and to consider whether truth in any of its manifestations still has a role in politics/the political - or whether the distinction rests, inter alia, on the status and mode of truth
such that if the management of public affairs is characterised by untruth and disinformation, information and truth belong to the unaccounted (what is left out of account, the part of no part) clamouring to govern itself. Truth as abandoned virtue of political life
positing the gulf between truth as voice and truth as representation, spoken on-behalf-of
is truth virtuous?
a historical question, administratively defunct but symbolic thus also an afterlife of truth
constructed - of necessity - not only cynically
so the question of the objective/subjective/perceptual/material moment of truth
[bad faith pervades professional life]
truth then as enjeu/gage, thus as untrue or LOCAL - truth as epiphany, exception
which is either a laudably modest ambition or a heinous abdication of political truth in order to secure a personal nirvana
There's no point trying to define truth, at least in this project - this is a work on aesthetics, and about how truth, however defined, is enacted in some particular kinds of mediation
but nonetheless the thing comes up
1. truth as a something-out-there which is true whether or not we can see and understand it (God, the arche-fossil, gravitational waves, Being . . . )
2.truth is produced by knowing it: a thing becomes true when we can state it
2.b truth is a quality of statements
2.c truth is produced by the method through which we approach it, ie the discourse that gives us ways to make well-formed statements that can be tested by the methods of that discourse (experiment, mathematics, statistics, logic etc)
3. truth is produced by actions, among which verbal actions are only one type. We (variously defined) make things true by enacting them. (this might ally with the proposal that truth is an agreement among a group to accept such-and-such a class of statements as true)
this doesn't give much to the proposition that there is a non-human truth, of the kinds argued for by eco-critique, that has physical etcetera effects on us, regardless of us knowing them; but such that once we do know them we are under an ethical obligation to act on that knowledge and that truth. This would also be true of those human-made truths we call situations or conjunctures - that there is something to be known about a state of affairs; that miscellaneous media forms have a claim not to produce them by stating them but to mediate them to humans (and vice versa)
Emphasising mediation removes the either/or – it permits both the formative (but not generative) power of media in mediations (eg measuring instruments, art) without thereby denying that there is a situation which can be mediated, while also preserving the corollary that mediation, as an action, is not free from the situation, and to that extent not only translates it for an other elsewhere and in another time, but acts in the situation by mediating it. (not merely quantum phenomenon)
the cost of the claim to truth, or at least of realism, is that the mediation alters what it observes; this alteration is the truth (the alteration of both the medium and the worlds it mediates between). The 4-part distinction of truth in the project plan makes sense then by asking what aspects of truth we learn from mediations attempting to be true to the object, to the medium, to perception and to the subject of truth, which in our epoch sees itself as a generator of truth, quite as much as a receiver (Kandinsky and Trump have that - and other things - in common)
(started by Ian Hacker's note on C.S. Peirce and his struggles with the idea of truth, p.212 of The Taming of Chance)
Saturday, September 17, 2016
In some indefinite but I hope near future this will become part of the argument of the next book, Anecdotal Evidence, itself both an outgrowth from a paper published by NECS under that title and a partial methodological portal to the much dreamed mad major project on Political Aesthetics
. . . .The self is a performance of its history of 'repression', how it has been conformed to the demands of social living. It is easy to imagine a place-based, local culture whose 'ways of being' or 'whole way of life' generate collective agreement to a shared set of mores, and so to a common mode of self.
Network capital today prefers a non-self whose desire is not at all repressed, not at all socially shaped, but plugged into and endlessly receptive to an unstemmable offer of tailor-made satisfactions. Of course the idea that these satisfactions respond to elemental needs is bogus. They speak only to the needs which their articulation with capital has produced. If the self is ab origine alienated by its socialisation, the consumerist non-self is doubly alienated: from its biology and from the framing of desire in the repression of biology in its encounter with the social. Rather than freeing some original desire, the new need is constructed on this double alienation, as a satisfaction external not only to the self but to the social, in which satisfaction is no longer indefinitely displaced but imaginarily instantaneous, and the repression that forms desire in its image is itself repressed in favour of a compulsory orgy of consumerism. It is no surprise that the deracinated and doubly-alienated subject yearns for and validates the very connectivity that has created it and its demand for networks.
What then are these networks that we long to be connected with? On the one hand, they are the many-to-many constellation that has taken the place of community, a world of parties and holidays, friendships and love-affairs, in a community of the like-minded we catch glimpses of in adverts and celebrity lifestyle reportage. We want to be connected to an other place where people who would really appreciate me are already connected and waiting for me to join them. That is the fantasy. In reality, networks are immense technological infrastructures of optic fibre, server farms, satellites and transoceanic cables whose environmental implications are breathtaking. The internet, increasingly integrated with microwave links and cellphone networks, RFID tags and barcodes, credit and loyalty cards, is a network of physical networks. The remnant of a utopian movement towards autonomous self-governance remains, but the internet is physically built, owned and operated almost universally by corporations. The information superhighway realises Marx's fantasia on the construction of roads(Grundrisse, 532)
The peak moment of capital can be recognised when all social needs are fulfilled neither by communities nor by states but by capital. Roads are a social need, but they are also vital to capital when the falling rate of profit forces acceleration and massification not only of production but distribution, and by the same token demands intense speed-up of the physical act of exchange, which places accelerated demands on consumers likewise to consume more, faster and more efficiently. All those minerals and sub-assemblies in our computers and phones are nothing but costs until they have been sold: the faster they are converted back into money, the better. In the interests of maximising consumption of its necessarily permanently expanding production, Marx argued, capital would eventually take over infrastructural projects like roads and, by his time, railways and canals; and in our time communication networks. Needless to say, having paid the piper, capital calls the tune: networks which serve its needs are the highest priority.
Tuesday, July 19, 2016
The mass image – the huge composite picture of the world which is being assembled in databases at Microsoft, Instagram and Google – goes far beyond the single image even though it retains some of its defining qualities. The mass image employs humans to produce a universe of image-commodities that we and others exchange, reproduce and consume. In the era of industrial production, we made houses, tools and clothing because the artifice of comfort held a cruel world at bay. In the age of the mass image, we make and consume pictures because we ascribe to the mass image the ability to replace the unhappy world with happy pictures.
Each image taken negates the scene it captures and replaces it with an image. As the absolute number of images increases, negation produces the mass image which replaces the entirety of the world, not just the unique scene, with a mass of pictures. A culture of compulsorily happy pictures – the culture of Facebook and Instagram – necessarily negates happiness by replacing happiness with pictures. If there is one thing we know about happiness, it is that it isn't single. The aggregate, singular, mass image negates happiness a second time by re-imagining it as normative, coherent, stable and universal.
Flusser fans will not find it hard to see the great man's influence, revivified by the excellent translations (and beautiful books) coming out from Univocal Press. Some developments of these thoughts will be the matter of a keynote I'm doing in Potsdam at the NECS conference at the end of next week with the working title "Against Connectivity"
Friday, March 11, 2016
Sunday, January 31, 2016
Toleration names the absence of dialogue. What I tolerate is beneath attention, marginal to my world. It is the kind of tolerance Jodi Dean (2009: 85-7) notes in G.W. Bush's tolerance of dissent: awareness without exchange of reasons. In a culture of complaint, we rail against the unforeseeable – tsunamis, bush fires, floods, hurricanes – and tolerate the greed, corruption and destructive acts of the oligarchy. The political event is a refusal of this kind of tolerance: even of the much praised liberal virtue of tolerance that allows the unaccounted other to live peaceably without threat of Holocaust. Any end to tolerance is portrayed, in the discourse of the current order, as descent into an atavistic Hobbesian war of each against all, but as the political thinkers cited in this chapter all argue in their different ways, it is tolerance itself that, by regarding as unchallengeable the ascendancy of those who do count and can speak, descends into monoculturalism. By excluding, it creates bitterness and revenge, or permits itself its ethnic cleansing under the hypocritical guise of immigration control and security, restrained only by the right to live a bare life. To refuse tolerance is to refuse the illusion of universality, the common claim of representative democracy. The political act contests the silence of tolerance in pointing to the meticulous exclusion of the nonhuman. In thinking the unthinkable politics of the nonhuman, we open the space for a different order, different economies and polities that we cannot reach through shopping and voting. Such a political event throws into question not just the privilege of the human but what underpins it: the identity we award ourselves as human. In the end under the regime of Universal Human Rights all identities are subsumed under the single identity of naked humanity. What is at stake in the articulation of non-human demand is the end not only of rights but of human identity. This is only possible if the demand that instigates it is strictly incommensurable with the existing order, as the demand for happiness is. But if the demand were for square circles, the principle would be the same: it is the contradiction between tolerance and communication, between the true non-communication of the tolerant order and the actual communication of the unheard and ignored, that drives the event.